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A statistical campaign: Florence Nightingale and Harriet Martineau’s 'England and her Soldiers'
An essay on the making of England and her Soldiers, a book written by Harriet Martineau and based on the statistical work of Florence Nightingale.
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Coming home - Bally’s miniature phrenological specimens
Close inspection of William Bally’s miniature phrenological specimens – a set of 60 small plaster busts – has led to a reappraisal of their origin and use. Made in 1832, they helped position Bally as ‘one of the best practical phrenologists in England’.
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Obituary: Brian Bracegirdle
Obituary of Brian Bracegirdle
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Rather unspectacular: design choices in National Health Service glasses
This article discusses the provision of spectacles under the NHS scheme in Britain from 1946-86. It reveals there was no explicit consideration of consumer choice or fashion and argues that this limited design across the British optical industry.
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Review of Cabinet of Curiosities: How disability was kept in a box
A review of the award-winning performance piece by Mat Fraser, exploring how the kaleidoscopic juxtaposition of perspectives and communication, from lecture to rap, creates perhaps the most direct challenge to medical museums ever posed.
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Review: The Fate of Anatomical
Book review of The Fate of Anatomical Collections, by Rina Knoeff & Robert Zwijnenberg
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Something in the Air: Dr Carter Moffat’s Ammoniaphone and the Victorian Science of Singing
This essay analyses representations of the ammoniaphone across nineteenth century advertising and the medical and musical press, and situates these representations within the broader Victorian fascination with the supremacy of Italian opera singers and the emergent corporeal anxieties of late nineteenth century consumer culture.
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Threading through history: the vertical transmission of Davy, Faraday and Tyndall’s lecture demonstration practices
How can physical actions of performance be passed on through generations? This article highlights possible routes of transmission from lecture-demonstrations of nineteenth-century scientists at the Royal Institution to Science Museum Guide Lecturers in the 1950s, on to the performance practices of contemporary Explainers.