You are viewing:

Sort by:

Browse results

  1. by on - Research

    The author describes and contextualises the Hugh Davies Collection (HDC) – a collection of self-built electro-acoustic musical instruments and other electronic sound apparatus formerly owned by the English experimental musician, instrument inventor, and live electronic music pioneer Hugh Davies (1943–2005).

  2. by , , on - Research

    We reflect upon the way that prosthetic users have been represented in displays at the Royal College of Surgeons of England and National Museums Scotland. In particular, we assess how far user/patient voice balances clinical/technical narratives.

  3. by , on - Research

    This article explores the use of reconstructed spaces and immersion at the Science Museum’s recent Collider exhibition. It sets out the challenges of engaging museum audiences with cutting-edge particle physics, describes the techniques adopted and evaluates their success.

  4. by , on - Research

    This article explores how the process of aligning material and cultural ‘connections’ was crucial to defining different historical trajectories of domestic electrification in Canada and Japan. Detailing how connections were made and modified reveals the divergent and fluid meaning of living electrically across space and time.

  5. by on - Research

    This essay addresses the transformation of the prehistoric animal models exhibited in Crystal Palace Park from scientific models, initially yoked to British heritage through rhetoric, to objects recognised as historically significant and worthy of conservation.

  6. by on - Research

    This article presents a historical survey of ten amulets using objects from the Science Museum collections. What can we learn about the place of amulets in the larger narrative of European healing from the early modern era to the present day?

  7. by on - Research

    This article discusses the provision of spectacles under the NHS scheme in Britain from 1946-86. It reveals there was no explicit consideration of consumer choice or fashion and argues that this limited design across the British optical industry.

  8. by on - Research

    This article analyses the changing perceptions of European industrial museums as expressed in the reports written by the curators, directors and trustees of the New York Museum of Science and Industry between 1927 and 1937.

  9. by on - Research

    What if sounds were museum objects? Via an experimental curatorial practice, the author proposes a revised definition of the 20th century musical term ‘sound object,’ proposing it as the basis for a museological conception of sounds as heritage.

  10. by , , on - Research

    In this article we go behind the scenes in the production of the Science Museum’s Oramics to Electronica: Revealing Histories of Electronic Music exhibition (2011–2016) to examine its genesis and reflect upon its implications.

Browse by tag

All tags: