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Collecting the personal: stories of domestic energy and everyday life at the National Museum of Scotland
The Energise gallery at the National Museum of Scotland explores the sources, generation, distribution and use of energy and questions how science and technology transform how we power our lives. This article details three objects around which a focus on personal stories was adopted.
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Collections development in hindsight: a numerical analysis of the Science and Technology collections of National Museums Scotland since 1855
Long term and bulk patterns in the accessioning, deaccessioning and use of the Science and Technology collections of National Museums Scotland were revealed within their digital database records. This confirms the value of both collecting and disposal for collections development.
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Contagious Cities: an international collaborative enquiry
Contagious Cities explored infectious diseases in Geneva, New York, Hong Kong and Berlin through a variety of cultural programmes. We examine its outputs and outcomes, the complexities of working with multiple stakeholders, and what might be learned from its approach to partnership and commissioning.
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Contexts for photography collections at the National Media Museum
In 2016 the National Media Museum transferred parts of its photographic collections to the Victoria and Albert Museum. This article examines the reactions to this decision to understand what it can tell us about public perceptions of the role of museums, and places the transfer in the wider contexts of sustainable collecting practices, economic pressures and local circumstances.
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Curating Medicine: The Wellcome Galleries
The curators of Medicine: The Wellcome Galleries reflect on their experiences of creating these significant new displays at the Science Museum in London.
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Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade
Curators Miranda Lowe and Richard Sabin discuss a major redisplay at the Natural History Museum, London, featuring ‘Hope’ the blue whale skeleton, in relation to extinction narratives, ideals of authenticity, anthropomorphism and the crossover of art and science.
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Editorial
Editorial Issue 07
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Editorial
Editorial for special issue: 'Curating Medicine'
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Embedding plurality: exploring participatory practice in the development of a new permanent gallery
This paper contributes to a critical understanding of current language and discourses of participatory and co-creative practices, through a case study of a large, permanent exhibition development – the Science Museum's Information Age gallery – which opened in 2014.
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Festschrift: how do we value artefacts in museum research?
How have museums of science and technology responded to the growing academic interest in their collections, and how have museum professionals contributed to the formation of new research agendas both inside and outside the walls of their respective institutions?