You are viewing:

Sort by:

Browse results

  1. by , , , on - Research

    This paper contributes to a critical understanding of current language and discourses of participatory and co-creative practices, through a case study of a large, permanent exhibition development – the Science Museum's Information Age gallery – which opened in 2014.

  2. by on - Research

    This essay addresses the transformation of the prehistoric animal models exhibited in Crystal Palace Park from scientific models, initially yoked to British heritage through rhetoric, to objects recognised as historically significant and worthy of conservation.

  3. by on - Research

    Long term and bulk patterns in the accessioning, deaccessioning and use of the Science and Technology collections of National Museums Scotland were revealed within their digital database records. This confirms the value of both collecting and disposal for collections development.

  4. by , on - Research

    This article explores a collection of medical photographs and illustrations from the Royal College of Physicians Museum showing patients treated for leprosy by Dr Bhau Daji in the mid-nineteenth century.

  5. by on - Research

    A knowledge capture method for use with heritage machinery in museums and cultural venues to reduce the risk of knowledge and skills loss, including a case study involving the historic industrial textiles machinery at the Science and Industry Museum.

  6. by on - Research

    This study uses a mnemonic device called SPEAKING (Hymes, 1974) to analyse The Amazing You. This elaborate health exhibition, which ran at the Tampa Museum of Science and Industry (MOSI) from 2008–2017, aimed to affect visitor behaviours.

  7. by on - Research

    This article analyses the changing perceptions of European industrial museums as expressed in the reports written by the curators, directors and trustees of the New York Museum of Science and Industry between 1927 and 1937.

  8. by on - Research

    What if sounds were museum objects? Via an experimental curatorial practice, the author proposes a revised definition of the 20th century musical term ‘sound object,’ proposing it as the basis for a museological conception of sounds as heritage.

  9. by on - Research

    Glass display cases in museums get a bad rap. For anyone wanting to evoke museums as old fashioned, expert-led broadcasters or as creating ‘mausoleums’ for objects by taking them out of the ‘immediacy of life’ the glass case is the perfect scapegoat. Glass display cases are the enforcers of the injunction ‘do not touch’.

  10. by on - Research

    This article analyses the 1935 Science Museum Noise Abatement exhibition in order to draw wider conclusions about technological sound and the museum and to make an argument in favour of hearing museum sound historically.

Browse by tag

All tags: