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  1. by on - Research

    What if sounds were museum objects? Via an experimental curatorial practice, the author proposes a revised definition of the 20th century musical term ‘sound object,’ proposing it as the basis for a museological conception of sounds as heritage.

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    The author describes and contextualises the Hugh Davies Collection (HDC) – a collection of self-built electro-acoustic musical instruments and other electronic sound apparatus formerly owned by the English experimental musician, instrument inventor, and live electronic music pioneer Hugh Davies (1943–2005).

  3. by , , on - Research

    In 2014, at the Royal College of Music, an orchestra recorded on to wax discs using a horn and mechanical technology from the acoustic era of sound recording. This article examines the processes, practices and outcomes of the sessions and reflects on the musicians’ experiences.

  4. by , , on - Research

    In this article we go behind the scenes in the production of the Science Museum’s Oramics to Electronica: Revealing Histories of Electronic Music exhibition (2011–2016) to examine its genesis and reflect upon its implications.

  5. by on - Research

    An article exploring the effects of the first ever broadcast from a natural location made by the British Broadcasting Company – the famous Nightingale broadcast of 19 May 1924, and the role of the innovative microphone that made it possible.

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