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The provenance and context of the Giustiniani Medicine Chest
In 1946 the Giustiniani Medicine Chest came into the Science Museum Collection having originally been bought in Italy in 1924 by an agent of Sir Henry Wellcome, for his medical collection. This article assesses its provenance and history.
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A royal gift? Mrs Strangways Horner’s small silver clock, 1740
This article celebrates the rediscovery of a small silver-cased clock allegedly given to Mrs Strangways Horner by Lady Archibald Hamilton on behalf of Augusta, Princess of Wales in 1740.
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‘Iron lung’ as metaphor
I will argue that ‘iron lung’ became eponymous as it connected the material reality of the NPV with imagined sensory experiences for publics in the UK, highlighting the often contradictory earlier metaphors of modernity and sound.
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Black Arrow R4: the object behind the screen
This article considers the worth of the physical museum object and its value as a focus of appreciation and interpretation. The object in question is the fifth and final Black Arrow rocket that has been displayed in the Science Museum for over 35 years.
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Zygalski sheets: Polish codebreaking and the role of reconstruction in the Top Secret exhibition at the Science Museum
A reflection on reconstructing Zygalski sheets, a manual grid-based system used by the Polish Cipher Bureau and Bletchley Park to decrypt German Enigma cipher messages, for the Top Secret exhibition at the Science Museum Group from 2019 to 2022.
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‘Great ease and simplicity of action’: Dr Nelson’s Inhaler and the origins of modern inhalation therapy
This paper reconstructs the history and reception of the Dr Nelson’s Inhaler as a means of understanding the growth of inhalation therapy in the mid-nineteenth century.
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Understanding storm surges in the North Sea: Ishiguro’s electronic modelling machine
An introduction to one of the star objects in Mathematics: The Winton Gallery, an electronic storm surge modelling machine.
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Ventriloquised voices: the Science Museum and the Hartree Differential Analyser
This paper proposes the analogy of ventriloquism as a way of extending the discussion about how objects speak and are used to tell different stories to audiences in museums as ‘material polyglots’. It explores how the Science Museum has changed the voices, stories, and physical and instrumental functions of a particular object – the ‘Trainbox’ version of the Douglas Hartree’s Differential Analyser – since it was collected in 1949.
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A model instrument: the making and the unmaking of a model of the Airy Transit Circle
The article investigates the construction, reception and fate of a set of models of the Airy Transit Circle (the instrument that defined the Greenwich Prime Meridian) at the Exposition Universelle in 1855 and at the South Kensington Museum.
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Something in the Air: Dr Carter Moffat’s Ammoniaphone and the Victorian Science of Singing
This essay analyses representations of the ammoniaphone across nineteenth century advertising and the medical and musical press, and situates these representations within the broader Victorian fascination with the supremacy of Italian opera singers and the emergent corporeal anxieties of late nineteenth century consumer culture.