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The language of Electricity: Jan Hicks in conversation with Bill Morrison
This in-conversation piece reveals the nature, rationale and context of the recent collaboration between film artist Bill Morrison and the Museum of Science and Industry for the exhibition Electricity: The spark of life. The development of Morrison’s art installation, Electricity, had an impact on the thinking processes and practices of both artist and curator, producing new shared interpretations of electrical energy and power.
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Technologies of Romance: introduction
Technologies of Romance: Introduction
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Technologies of Romance: on the choice of a typeface for a book and the possibilities for technological Romance
This paper uses a discussion of the rationale of the selection for typefaces for a book on the subject of technologies and Romanticism to consider the extent to which typefaces might themselves be usefully considered to be technologies of romance.
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Technologies of Romance: looking for ‘object love’ in three works of video art
This article applies the author’s experience as an artist working with video and photography, plus his recent research and publishing on the theme of Technologies of Romance, to the work of three contemporary artists using video. It explores video art for its potential to collect and transmit affective images and to act itself as an ‘object’ capable of communicating sentiment and sensuality. The article develops a current increase of interest within the author’s cultural and academic environment in evaluations of affect, emotion, love, intimacy, etc. in art theory, history and museum studies. In doing so the author’s own Technologies of Romance theme develops its investment in theories of history into a dialogue with the Science Museum and with processes of museology.
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Artist interviews – new art for Medicine: The Wellcome Galleries
This article brings artistic and curatorial voices to reflect on the meaning of four major new art commissions in Medicine: The Wellcome Galleries. Curator of Art Collections, Katy Barrett, talks with artists Eleanor Crook, Marc Quinn, and Studio Roso.
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Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade
Curators Miranda Lowe and Richard Sabin discuss a major redisplay at the Natural History Museum, London, featuring ‘Hope’ the blue whale skeleton, in relation to extinction narratives, ideals of authenticity, anthropomorphism and the crossover of art and science.
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Editorial
Editorial for special issue: 'Curating Medicine'
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Contagious Cities: an international collaborative enquiry
Contagious Cities explored infectious diseases in Geneva, New York, Hong Kong and Berlin through a variety of cultural programmes. We examine its outputs and outcomes, the complexities of working with multiple stakeholders, and what might be learned from its approach to partnership and commissioning.
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A royal gift? Mrs Strangways Horner’s small silver clock, 1740
This article celebrates the rediscovery of a small silver-cased clock allegedly given to Mrs Strangways Horner by Lady Archibald Hamilton on behalf of Augusta, Princess of Wales in 1740.
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AIDS memorials from obituaries to artworks – a photo essay
Based on the online repository AIDSmemorial.info, this essay highlights the diversity of AIDS memorials worldwide by defining twenty categories, reflecting on their origins and evolution as well as attempts to preserve this cultural heritage.