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  1. by on - Research

    This article examines the image of the open coal fire in redefining the home in post-war Britain. Rather than a timeless source of reverie and comfort, the post-war fire articulated values that were central to the nation in this period of reconstruction.

  2. by on - Review

    Review: Behind the Exhibit: Displaying Science and Technology at the World’s Fairs and Museums in the Twentieth Century

  3. by , on - Research

    The article describes the role of Blanche Thornycroft as a naval architect in the family business of John I. Thornycroft. It explores her role in the family business and examines some of the products she was involved in building.

  4. by on - Research

    This article analyses the 1935 Science Museum Noise Abatement exhibition in order to draw wider conclusions about technological sound and the museum and to make an argument in favour of hearing museum sound historically.

  5. by on - Research

    This article analyses the exhibition and reception of Tropical Africa at the 1924–25 British Empire Exhibition, drawing attention to affect, the senses, and spatiality. It emphasises the need to look beyond curatorial intent and consider the multiplicity of potential experiences within World’s Fairs.

  6. by on - Research

    This article analyses E C Large’s novel Dawn in Andromeda (1956), using it to explore the cultural history of the wireless. In the 1930s, the wireless figured as an instrument of fannish participation alongside participatory writing practices. By the 1950s it had become a disappointment.

  7. by on - Book review

    Book review: Physics and Psychics: The Occult and the Sciences in Modern Britain, by Richard Noakes

  8. by on - Research

    This article analyses the changing perceptions of European industrial museums as expressed in the reports written by the curators, directors and trustees of the New York Museum of Science and Industry between 1927 and 1937.

  9. by on - Research

    This article discusses the provision of spectacles under the NHS scheme in Britain from 1946-86. It reveals there was no explicit consideration of consumer choice or fashion and argues that this limited design across the British optical industry.

  10. by on - Research

    The author describes and contextualises the Hugh Davies Collection (HDC) – a collection of self-built electro-acoustic musical instruments and other electronic sound apparatus formerly owned by the English experimental musician, instrument inventor, and live electronic music pioneer Hugh Davies (1943–2005).

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