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  1. by on - Research

    Close inspection of William Bally’s miniature phrenological specimens – a set of 60 small plaster busts – has led to a reappraisal of their origin and use. Made in 1832, they helped position Bally as ‘one of the best practical phrenologists in England’.

  2. by on - Discussion

    This paper presents the thinking behind Cosmonauts: Birth of the Space Age, relating it to previous Science Museum space exhibitions and to new scholarship on Russia’s space exploration. It shows also the exhibition’s dependency on curatorial and design team dialogue.

  3. by , on - Research

    This article explores the use of reconstructed spaces and immersion at the Science Museum’s recent 'Collider' exhibition. It sets out the challenges of engaging museum audiences with cutting-edge particle physics, describes the techniques adopted and evaluates their success.

  4. by on - Research

    This article tells the story of the Science Museum’s role in an exhibition at the Royal Academy, London, in 1952, to celebrate the 500th anniversary of the birth of Leonardo da Vinci, and in particular in displaying mechanical models based on Leonardo’s drawings.

  5. by , , , on - Research

    This paper contributes to a critical understanding of current language and discourses of participatory and co-creative practices, through a case study of a large, permanent exhibition development – the Science Museum's Information Age gallery – which opened in 2014.

  6. by on - Discussion

    This article explores the challenges of displaying the history of information and communications in a museum environment, based on Information Age, the Science Museum’s new permanent gallery.

  7. by , on - Obituary

    Obituary of Brian Bracegirdle

  8. by , on - Obituary

    Frank Greenaway, who died at the age of 95 in June 2013, was a Keeper and manager at the Science Museum from the early post-war years to the era of Margaret Thatcher. He stamped his own character on the Museum and was a significant historian of chemistry and of science more broadly.

  9. by , , on - Research

    In this article we go behind the scenes in the production of the Science Museum’s Oramics to Electronica: Revealing Histories of Electronic Music exhibition (2011–) to examine its genesis and reflect upon its implications.

  10. by on - Research

    This article analyses the changing perceptions of European industrial museums as expressed in the reports written by the curators, directors and trustees of the New York Museum of Science and Industry between 1927 and 1937.

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