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‘Everything passes, except the past’: reviewing the renovated Royal Museum of Central Africa (RMCA)
This article describes the author’s impressions of the new Royal Museum of Central Africa gallery. It discusses the successes and failures of the project, as well as its implications for UK museums.
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A discourse with deep time: the extinct animals of Crystal Palace Park as heritage artefacts
This essay addresses the transformation of the prehistoric animal models exhibited in Crystal Palace Park from scientific models, initially yoked to British heritage through rhetoric, to objects recognised as historically significant and worthy of conservation.
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A symposium on histories of use and tacit skills
The histories of use of the objects in museum collections, and the unrecorded skills of their operation, have posed pressing research questions for museum people and university scholars alike. This symposium drew together different perspectives on this emerging area of study.
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The BepiColombo ‘model’: looking beyond the ‘original’
Through the recent example of the BepiColombo Structural Thermal Model currently on display in the Science Museum, this paper argues that models should be interpreted as original objects and not just as representations of the final product.
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Black Arrow R4: the object behind the screen
This article considers the worth of the physical museum object and its value as a focus of appreciation and interpretation. The object in question is the fifth and final Black Arrow rocket that has been displayed in the Science Museum for over 35 years.
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Challenges of conservation: working objects
A review of conservation concepts and practice, and provision of access to objects. Discussion of the conservation issues which arise when industrial objects are operated, and of the need for research into the effects of operation and the visitor experience.
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‘A Chamber of Noise Horrors’: sound, technology and the museum
This article analyses the 1935 Science Museum Noise Abatement exhibition in order to draw wider conclusions about technological sound and the museum and to make an argument in favour of hearing museum sound historically.
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Curating Medicine: The Wellcome Galleries
The curators of Medicine: The Wellcome Galleries reflect on their experiences of creating these significant new displays at the Science Museum in London.
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Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade
Curators Miranda Lowe and Richard Sabin discuss a major redisplay at the Natural History Museum, London, featuring ‘Hope’ the blue whale skeleton, in relation to extinction narratives, ideals of authenticity, anthropomorphism and the crossover of art and science.
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Doping at the Science Museum: the conservation challenge of doped fabric aircraft in the Flight gallery
A review of the materials used to make doped fabric aircraft, the Science Museum’s collection and the conservation challenge of such objects.