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‘Everything passes, except the past’: reviewing the renovated Royal Museum of Central Africa (RMCA)
This article describes the author’s impressions of the new Royal Museum of Central Africa gallery. It discusses the successes and failures of the project, as well as its implications for UK museums.
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A museum by the people for the people? A review of St Fagans National Museum of History’s new galleries
Review: A museum by the people for the people? A review of St Fagans National Museum of History’s new galleries
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A symposium on histories of use and tacit skills
The histories of use of the objects in museum collections, and the unrecorded skills of their operation, have posed pressing research questions for museum people and university scholars alike. This symposium drew together different perspectives on this emerging area of study.
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Review: Behind the Exhibit: Displaying Science and Technology at the World’s Fairs and Museums in the Twentieth Century
Review: Behind the Exhibit: Displaying Science and Technology at the World’s Fairs and Museums in the Twentieth Century
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Capturing the song of the nightingale
An article exploring the effects of the first ever broadcast from a natural location made by the British Broadcasting Company – the famous Nightingale broadcast of 19 May 1924, and the role of the innovative microphone that made it possible.
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‘A Chamber of Noise Horrors’: sound, technology and the museum
This article analyses the 1935 Science Museum Noise Abatement exhibition in order to draw wider conclusions about technological sound and the museum and to make an argument in favour of hearing museum sound historically.
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Collecting the personal: stories of domestic energy and everyday life at the National Museum of Scotland
The Energise gallery at the National Museum of Scotland explores the sources, generation, distribution and use of energy and questions how science and technology transform how we power our lives. This article details three objects around which a focus on personal stories was adopted.
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Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade
Curators Miranda Lowe and Richard Sabin discuss a major redisplay at the Natural History Museum, London, featuring ‘Hope’ the blue whale skeleton, in relation to extinction narratives, ideals of authenticity, anthropomorphism and the crossover of art and science.
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Curating the collider: using place to engage museum visitors with particle physics
This article explores the use of reconstructed spaces and immersion at the Science Museum’s recent Collider exhibition. It sets out the challenges of engaging museum audiences with cutting-edge particle physics, describes the techniques adopted and evaluates their success.
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Editorial
Editorial Issue 05