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  1. by , , , , on - reflections on research

    The histories of use of the objects in museum collections, and the unrecorded skills of their operation, have posed pressing research questions for museum people and university scholars alike. This symposium drew together different perspectives on this emerging area of study.

  2. by on - Research

    An article exploring the effects of the first ever broadcast from a natural location made by the British Broadcasting Company – the famous Nightingale broadcast of 19 May 1924, and the role of the innovative microphone that made it possible.

  3. by on - Research

    This article analyses the 1935 Science Museum Noise Abatement exhibition in order to draw wider conclusions about technological sound and the museum and to make an argument in favour of hearing museum sound historically.

  4. by , , on - Discussion

    The Energise gallery at the National Museum of Scotland explores the sources, generation, distribution and use of energy and questions how science and technology transform how we power our lives. This article details three objects around which a focus on personal stories was adopted.

  5. by , on - Research

    This article explores the use of reconstructed spaces and immersion at the Science Museum’s recent Collider exhibition. It sets out the challenges of engaging museum audiences with cutting-edge particle physics, describes the techniques adopted and evaluates their success.

  6. by on - Editorial

    Editorial Issue 05

  7. by , , , on - Research

    This paper contributes to a critical understanding of current language and discourses of participatory and co-creative practices, through a case study of a large, permanent exhibition development – the Science Museum's Information Age gallery – which opened in 2014.

  8. by on - Review

    This article considers the innovative approach that Fairfield has adopted as a heritage centre, office-space and working ship fabrication yard, on the banks of the River Clyde in Glasgow.

  9. by on - Discussion

    Displays of instruments in science museums are closer to those of decorative arts artefacts than to the presentation of real functional and practical objects. This article offers a critique and suggests a path forward to go beyond functionless objects.

  10. by on - Editorial

    Editorial

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