RT Journal Article T1 �Everything passes, except the past� A1 Donata Miller YR 2019 VO 12 IS Autumn 2019 K1 decolonial approaches K1 museum interpretation K1 Democratic Republic of the Congo K1 Central Africa K1 Royal Museum of Central Africa AB NO Readers might see, for example, The Master’s Tools Will Never Dismantle the Master’s House (Lourde, 2018); Decolonisation is Not a Metaphor (Tuck and Yang, 2012); Museum as Process (McCarthy, 2015); Decolonising the Museum (Wintle, 2013); Decolonizing the Smithsonian (Wintle, 2016); Museums, Heritage and Indigenous Voice (Onciul, 2015). NO For information on the display of humans in Britain, see Qureshi, S, 2011, Peoples on Parade: Exhibitions, Empire and Anthropology in Nineteenth-Century Britain (University of Chicago Press). NO For an analysis of Tintin in the Congo (translated from French) see http://usslave.blogspot.com/2011/04/tintin-in-congo-analysis.html?m=1 NO For an article regarding the early twentieth-century disconnect between the curatorial voice and the visitor experience, see Skotnes-Brown, J, From the White Man’s Grave to the White Man’s Home? Experiencing ‘Tropical Africa’ at the 1924–25 British Empire Exhibition (Science Museum Group Journal, Issue 11). 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