TY  -  JOUR
TI  -  ‘Everything passes, except the past’: reviewing the renovated Royal Museum of Central Africa (RMCA)
  AU -Donata Miller
PY  -  2019
VL  - 
IS  - Autumn 2019
KW - Central Africa
KW - decolonial approaches
KW - Democratic Republic of the Congo
KW - museum interpretation
KW - Royal Museum of Central Africa

AB - 
N1 - Readers might see, for example, The Master’s Tools Will Never Dismantle the Master’s House (Lourde, 2018); Decolonisation is Not a Metaphor (Tuck and Yang, 2012); Museum as Process (McCarthy, 2015); Decolonising the Museum (Wintle, 2013); Decolonizing the Smithsonian (Wintle, 2016); Museums, Heritage and Indigenous Voice (Onciul, 2015).

N1 - For information on the display of humans in Britain, see Qureshi, S, 2011, Peoples on Parade: Exhibitions, Empire and Anthropology in Nineteenth-Century Britain (University of Chicago Press).

N1 - For an analysis of Tintin in the Congo (translated from French) see http://usslave.blogspot.com/2011/04/tintin-in-congo-analysis.html?m=1

N1 - For an article regarding the early twentieth-century disconnect between the curatorial voice and the visitor experience, see Skotnes-Brown, J, From the White Man’s Grave to the White Man’s Home? Experiencing ‘Tropical Africa’ at the 1924–25 British Empire Exhibition (Science Museum Group Journal, Issue 11).

N1 - For a definition of community of origin, see Saggar, S A, 2019, ‘Community of Origin’, Decolonial Dictionary, https://decolonialdictionary.wordpress.com/2019/06/11/community-of-origin/ (accessed 19 June 2019)

PB - The Science Museum Group
 
SN -  2054-5770
LA -  eng
DO -  10.15180/191213
UR -  https://journal.sciencemuseum.ac.uk/article/everything-passes/
T2 -  Science Museum Group Journal