By Martha Fleming Museums theme – making Split + Splice: Fragments from the Age of Biomedicine By Jennifer Landry Museums theme – Beyond the Black Box: reflections on building a history of chemistry museum By Sophie Goggins, Tacye Phillipson and Samuel J M M Alberti Prosthetic limbs on display: from maker to user By John Kannenberg Towards a more sonically inclusive museum practice: a new definition of ’the ‘sound object By Tim Boon, Annie Jamieson, John Kannenberg, Aleks Kolkowski and James Mansell ‘Organising Sound’: how a research network might help structure an exhibition By Sarah Baines From 2D to 3D: the story of graphene in objects By Barbara Gribling The Panstereomachia, Madame Tussaud’s and the Heraldic Exhibition: the art and science of displaying the medieval past in nineteenth-century London By Tom Ritchie Ventriloquised voices: the Science Museum and the Hartree Differential Analyser By Katy Barrett Tacita Dean: LANDSCAPE, PORTRAIT, STILL LIFE By Henry A McGhie Review: Science Museums in Transition: Cultures of Display in Nineteenth-Century Britain and America, edited by Carin Berkowitz and Bernard Lightman, University of Pittsburgh Press, 2017