By Frances Morgan From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100 By John Kannenberg Towards a more sonically inclusive museum practice: a new definition of ’the ‘sound object By Tim Boon, Annie Jamieson, John Kannenberg, Aleks Kolkowski and James Mansell ‘Organising Sound’: how a research network might help structure an exhibition By Melissa Dickson Something in the Air: Dr Carter Moffat’s Ammoniaphone and the Victorian Science of Singing By James Mooney The Hugh Davies Collection: live electronic music and self-built electro-acoustic musical instruments, 1967-1975 By Aleks Kolkowski, Duncan Miller and Amy Blier-Carruthers The Art and Science of Acoustic Recording: Re-enacting Arthur Nikisch and the Berlin Philharmonic Orchestra’s landmark 1913 recording of Beethoven’s Fifth Symphony By Tim Boon, Merel van der Vaart and Katy Price Oramics to electronica: investigating lay understandings of the history of technology through a participatory project
