By Tim Boon Trevor Pinch: a personal and institutional appreciation By Frances Morgan From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100 By John Kannenberg Towards a more sonically inclusive museum practice: a new definition of ’the ‘sound object By James Mooney The Hugh Davies Collection: live electronic music and self-built electro-acoustic musical instruments, 1967-1975 By Iain Logie Baird Capturing the song of the nightingale By Aleks Kolkowski, Duncan Miller and Amy Blier-Carruthers The Art and Science of Acoustic Recording: Re-enacting Arthur Nikisch and the Berlin Philharmonic Orchestra’s landmark 1913 recording of Beethoven’s Fifth Symphony By Tim Boon, Merel van der Vaart and Katy Price Oramics to electronica: investigating lay understandings of the history of technology through a participatory project
