By Efram Sera-Shriar Photographic plates and spirit fakes: remembering Harry Price’s investigation of William Hope’s spirit photography at its centenary By Catherine Dixon Technologies of Romance: on the choice of a typeface for a book and the possibilities for technological Romance By Anna Geurts and Oliver Betts The museum micro-fellowship By David Saunders Wired-up in white organdie: framing women’s scientific labour at the Burden Neurological Institute By Jo Quinton-Tulloch Editorial By Mieneke te Hennepe Private portraits or suffering on stage: curating clinical photographic collections in the museum context By Boris Jardine Made real: artifice and accuracy in nineteenth-century scientific illustration By David Hughes Review: Observing by Hand: Sketching the Nebulae in the Nineteenth Century, by Omar W Nasim
